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Proto

by Protoculture

Intermediate and Beginner

04h 19m

How To Make

Orchestral Hybrid with Protoculture

Htm orchestral hybrid 6

Please subscribe, or purchase this course to watch this video.

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Now playing
Tutorial 11 - Housekeeping
Up next
Tutorial 12 - FX and Transitions
Tutorial Description

Next up we carry out a quick clean up of the track by grouping, colouring and deleting unwanted tracks.

Software

Cubase icon Cubase

Course Progress
  • Tutorials
  • Details
  • Comments
  • Resources 1
Promo 00:58
Tutorial 01 - Introduction and Playthrough 03:56
Tutorial 02 - Templates and Instrumentation Overview 07:14
Tutorial 03 - Keyswitches, Expression Maps and Articulations 21:38
Tutorial 04 - Initial Sketch 24:02
Tutorial 05 - Experimenting with the Cubase Chord Track 15:14
Tutorial 06 - Dissolving MIDI into Individual Instruments 10:58
Tutorial 07 - Arranging the Strings 20:39
Tutorial 08 - More Strings and Brass 23:39
Tutorial 09 - Transitions and Orchestral Percussion 14:34
Tutorial 10 - Percussive Strings and Synths 15:32
Tutorial 11 - Housekeeping 06:32
Tutorial 12 - FX and Transitions 09:46
Tutorial 13 - Synth Pads and Outro 35:27
Tutorial 14 - Mixdown 37:28
Tutorial 15 - Mastering 11:27
Course description

Sonic Academy proudly welcomes back Nate Raubenheimer aka Protoculture for a look at a different type of genre this week as we check out How To Make Orchestral Hybrid.

Stepping away from his usual tracks, Nate guides us from start to finish in building this epic and grand masterpiece using both EastWest Play and NI Kontakt orchestral sections.

We start with looking at templates and how to set up different articulations within your DAW and lay down an initial sketch over some vocals before breaking down the MIDI chord progression into its individual string sections.
Using constantly evolving automation lanes to create realistic expression we add brass sections and lead lines along with orchestral percussive elements to help with transitions. Once the orchestral sections are complete we layer in synths, pads and arps to build on the wall of sound before mixing down the track and carrying out a master.

This is a masterclass in using orchestral elements in a digital environment and the tips and tricks Nate shows us here can be transferred to all kinds of genres.

Definitely worth checking out!

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Software
ADPTR - Metric AB AIR - StereoWidth Apogee UV22HR Brainworx Vertigo Sound VSC-2 Brainworx bx digital v3 Brainworx bx opto Cubase EastWest Play Fab Filter Pro-Q 3 Fab Filter Saturn Kazrog - KClip LVC-Audio Clipshifter Lindell 7X-500 NI Kontakt NI Replika Newfangled Audio - Elevate Nexus 2 Noveltech Vocal Enhancer Plugin Alliance - Maag EQ4 SPL - De-Verb Plus SSL 4000E Soundtoys MicroShift Soundtoys Panman Spectrasonics Omnisphere Spitfire - LABS Sylenth 1 UVI Falcon UVI Workstation - SweepMachine Unfiltered Audio - Byome Unfiltered Audio - Dent 2 Unfiltered Audio - Zip VPS - MB Stereo VPS Philta XL Valhalla Shimmer bx_Masterdesk bx_limiter bx_rooM/S elysia alpha mix fiedler audio - Stage
Genres
Hybrid Orchestral Orchestral
Topics
Arpeggio Synthesis Arranging Audio Editing Audio Setup Automation Bass Bass Processing Bass Programing Bass Synthesis Brass BreakDown Chords Chorus Clip Envelopes Compression Delay Distortion Drum Processing Drum Programing Drum Synthesis Drums EQ Exporting Fills Filters Keys Processing Keys Programming Keys Synthesis LFOs Limiter Loop Editing Loop Processing Mastering Metering Mixing Music Theory Pad Pad Synthesis Pads Processing Pads Programming Panning Piano Playthrough Reverb Risers & Sweeps Saturation Software setup Stereo Spread Stereo Widening String Synthesis Strings Strings Processing Strings Programming Synthesis Transitions Vocal Vocal Processing Workflow
Sounds Like
Hybrid
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