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by King Unique

Intermediate and Advanced

01h 09m

How To Use

ANA 2 Sound Design Blade Runner Special

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Tutorial 01 - Introduction
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Tutorial 02 - 2019 Patch Overview
Software

ANA 2

Course Progress
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  • Resources 1
Introduction
Tutorial 01 - Introduction 04:03
2019 Patch
Tutorial 02 - 2019 Patch Overview 05:58
Tutorial 03 - 2019 Patch Brass 09:28
Tutorial 04 - 2019 Patch Rumble 08:08
Tutorial 05 - 2019 Patch FX 04:52
Tutorial 06 - 2019 Patch String Pads 04:15
Tutorial 07 - 2019 Patch Chimes 06:50
Tutorial 08 - 2019 Patch Effects 04:07
2049 Patch
Tutorial 09 - 2049 Patch Overview 03:14
Tutorial 10 - 2049 Patch Saw Climb 04:23
Tutorial 11 - 2049 Patch Impact 02:43
Tutorial 12 - 2049 Patch High CS80 03:55
Tutorial 13 - 2049 Patch Percussion 04:01
Tutorial 14 - 2049 Patch Chimes and Effects 03:49
Course description

This week we Sonic Academy welcomes back self-proclaimed synth obsessive Matt Thomas aka King Unique for a journey into the dystopian sounds of Blade Runner solely using ANA 2.

As much as Scott's film relied on its rain-drenched nightscapes and neon-glazed city sprawl to reflect the existential angst of Harrison Ford, it also succeeded due in no small part to the score by the former Evangelos Odysseas Papathanassiou. Besides his work on the score for Chariots Of Fire, Vangelis' most lauded film work resides here.

Also, with the recent release of Blade Runner 2049 where the mammoth task of creating a soundtrack that's brimming with all the right sounds that fans needed to hear to not only know they’re in the same universe but one that has since evolved, was passed to Hans Zimmer and Benjamin Wallfisch they undoubtedly succeeded in a total evolution of what Vangelis set in motion way, way back in 1982. It’s louder, it’s gloomier, it’s heavier, and it’s much more expansive, all qualities one might tag with Villeneuve’s breathtaking sequel.

In this fascinating course, Matt recreates the sounds that define these two movies in two different patches on ANA 2, delving deep into this powerful synth's capabilities and giving us a masterclass in sound design.

The end result is two incredibly satisfying soundscapes that pay tribute to these two awesome films and their respective soundtracks.

Enjoy!

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